This design is a good example of the box pleating technique and is a fantastic model to fold, resulting in a stunning outcome. A complex design which requires glue to hold the neck in place, I found this one enjoyable to fold. There is a violin bow designed by Paulius Mielinis which complements this Violin. However, I am not aware if the diagrams or crease pattern have been published for it.
The most amazing part of this model is the attention to detail. It has everything from the scroll, peg box and pegs to the f-holes on the body of the instrument. I am amazed with the level of thought which has been put into designing this model by Gen Hagiwara – it is truly mind blowing. While a major portion of the folding sequence, in the beginning, is the pre-creasing to fold the basic Violin shape, the folding sequence quickly transitions to shaping the model to make it aesthetically realistic. The part which requires a lot of patience and dexterity is the neck of the violin, which includes the peg box and pegs. This portion took the longest time for me to fold. To make the scroll at the end of the neck, I used a bit of water to wet and then roll in. I have clicked a few pictures from different angles hoping to capture the complexity and beauty of this design.
The diagrams to this design can be found in Origami Tanteidan Magazine #143 (which you can back order from Japan Origami Academic Society at the time of writing this post) and you can also check out JM Origami tutorial for this. I used double tissue paper to fold this Violin – a single sheet each of brown and black tissue paper stuck together using MC. I then cut the prepared paper to the 1:4 ratio which is needed to start folding. To shape the violin, I used clips to hold the curves and folds in place and kept it overnight to set. The paper I used was Darice 100-Piece Premium Quality Tissue Gift Wrapping Paper and I used Lineco Methyl Cellulose Adhesive to prepare the double tissue paper.