I came across this pretty design on Instagram, following Ryan Charpentier‘s nicely done fold of it and could not help but put this on my folding to-do list. I was amazed that the lollipop, bow and the lollipop stick are all folded from a single sheet of paper! I purchased the diagrams from SAOrigami and promptly received it. I could not wait to fold it!
The folding sequence is a clever one, pretty straight-forward and one can see the lollipop taking shape almost immediately. There is minimal shaping required for this design and the design takes advantage of color change throughout, mimicking the swirly design of real lollipops. In origami, sinks are one of the folds which always get me nervous as I am never neat with them, no matter how precise I try to be with the pre-creasing. In this diagram, Tony Wang has 2 closed sinks in a series, the first one being simple enough (where I can’t goof up) and the other requiring me to have the dexterity of a cat. I managed to get this one completed without tearing the paper or crumpling it into a ball. I’m happy!
For the paper, I did not have a large enough size of Kami with me (the creator suggested a size of at least 30 cm). So, i decided to give this a try with something different. I folded this using double tissue paper which I prepared using MC. I went with a bright blue and pink for the lollipop instead of a bright color and white combination. The size of the paper I used was larger than the suggested size – it’s a square sheet of 20 inches. The finished model is around 9 inches in length.
This design is a good example of the box pleating technique and is a fantastic model to fold, resulting in a stunning outcome. A complex design which requires glue to hold the neck in place, I found this one enjoyable to fold. There is a violin bow designed by Paulius Mielinis which complements this Violin. However, I am not aware if the diagrams or crease pattern have been published for it.
The most amazing part of this model is the attention to detail. It has everything from the scroll, peg box and pegs to the f-holes on the body of the instrument. I am amazed with the level of thought which has been put into designing this model by Gen Hagiwara – it is truly mind blowing. While a major portion of the folding sequence, in the beginning, is the pre-creasing to fold the basic Violin shape, the folding sequence quickly transitions to shaping the model to make it aesthetically realistic. The part which requires a lot of patience and dexterity is the neck of the violin, which includes the peg box and pegs. This portion took the longest time for me to fold. To make the scroll at the end of the neck, I used a bit of water to wet and then roll in. I have clicked a few pictures from different angles hoping to capture the complexity and beauty of this design.
Violin’s Peg box Details
The diagrams to this design can be found in Origami Tanteidan Magazine #143 (which you can back order from Japan Origami Academic Society at the time of writing this post) and you can also check out JM Origami tutorial for this. I used double tissue paper to fold this Violin – a single sheet each of brown and black tissue paper stuck together using MC. I then cut the prepared paper to the 1:4 ratio which is needed to start folding. To shape the violin, I used clips to hold the curves and folds in place and kept it overnight to set. The paper I used was Darice 100-Piece Premium Quality Tissue Gift Wrapping Paper and I used Lineco Methyl Cellulose Adhesive to prepare the double tissue paper.
Inoshishigami – The Divine Boar (Design by Satoshi Kamiya)
I found this to be a challenging model to fold given the multiple delicate pre-creases. For this model, taken from Satoshi Kamiya’s first book of origami diagrams – Works of Satoshi KAMIYA. I used 2 sheets of tissue paper, which I stuck together using methyl cellulose.
This was the first time I prepared paper using MC and I was quite happy with the outcome. I used a 3 inch brush to apply the MC paste across the tissue paper and kept the papers to dry for a couple of days before I started folding this model. The paper is still thin and delicate, which made the initial pre-creasing a bit difficult for me. However, given the multiple layers involved in this design, especially for the limbs and the ‘pleats’ on the boar’s back, I would still recommend a thin paper. Once you prepare the MC mixture, if you have any remaining after preparing your double tissue paper, you can store it for your next use.
This is my first fold of this model and it took me about 2 weeks to complete it since I work on it only at nights for a few hours. I wanted to try preparing my own paper for complex models and folding Satoshi Kamiya’s Divine boar gave me the opportunity to test it with intricate folds. I liked the outcome of my first fold and enjoyed folding this design. The paper I used was Darice 100-Piece Premium Quality Tissue Gift Wrapping Paper and I used Lineco Methyl Cellulose Adhesive to paste two of these tissue papers together. The size of the paper I used was a square sheet measuring 20 inches. The size of the finished model is approximately 5 inches by 8 inches.
Instructions to prepare double tissue paper:
Sara Adams of HappyFolding has created a detailed video on preparing double tissue paper. I found this easy to follow and clear with instructions.
How to Fold Satoshi Kamiya’s Divine Boar:
The diagrams to this model can be found in Works of Satoshi KAMIYA. Mariano Zavala has created a fantastic instructional video for this model, too. I have used it as a reference for some of the tricky folds for this model and found it to be very helpful. He has painstakingly explained the intricate folds and is very clear in showing the steps. It is a 2 part instructional video which you can find on his YouTube channel.