This design is a good example of the box pleating technique and is a fantastic model to fold, resulting in a stunning outcome. A complex design which requires glue to hold the neck in place, I found this one enjoyable to fold. There is a violin bow designed by Paulius Mielinis which complements this Violin. However, I am not aware if the diagrams or crease pattern have been published for it.
The most amazing part of this model is the attention to detail. It has everything from the scroll, peg box and pegs to the f-holes on the body of the instrument. I am amazed with the level of thought which has been put into designing this model by Gen Hagiwara – it is truly mind blowing. While a major portion of the folding sequence, in the beginning, is the pre-creasing to fold the basic Violin shape, the folding sequence quickly transitions to shaping the model to make it aesthetically realistic. The part which requires a lot of patience and dexterity is the neck of the violin, which includes the peg box and pegs. This portion took the longest time for me to fold. To make the scroll at the end of the neck, I used a bit of water to wet and then roll in. I have clicked a few pictures from different angles hoping to capture the complexity and beauty of this design.
The diagrams to this design can be found in Origami Tanteidan Magazine #143 (which you can back order from Japan Origami Academic Society at the time of writing this post) and you can also check out JM Origami tutorial for this. I used double tissue paper to fold this Violin – a single sheet each of brown and black tissue paper stuck together using MC. I then cut the prepared paper to the 1:4 ratio which is needed to start folding. To shape the violin, I used clips to hold the curves and folds in place and kept it overnight to set. The paper I used was Darice 100-Piece Premium Quality Tissue Gift Wrapping Paper and I used Lineco Methyl Cellulose Adhesive to prepare the double tissue paper.
I found this to be a challenging model to fold given the multiple delicate pre-creases. For this model, taken from Satoshi Kamiya’s first book of origami diagrams – Works of Satoshi KAMIYA. I used 2 sheets of tissue paper, which I stuck together using methyl cellulose.
This was the first time I prepared paper using MC and I was quite happy with the outcome. I used a 3 inch brush to apply the MC paste across the tissue paper and kept the papers to dry for a couple of days before I started folding this model. The paper is still thin and delicate, which made the initial pre-creasing a bit difficult for me. However, given the multiple layers involved in this design, especially for the limbs and the ‘pleats’ on the boar’s back, I would still recommend a thin paper. Once you prepare the MC mixture, if you have any remaining after preparing your double tissue paper, you can store it for your next use.
This is my first fold of this model and it took me about 2 weeks to complete it since I work on it only at nights for a few hours. I wanted to try preparing my own paper for complex models and folding Satoshi Kamiya’s Divine boar gave me the opportunity to test it with intricate folds. I liked the outcome of my first fold and enjoyed folding this design. The paper I used was Darice 100-Piece Premium Quality Tissue Gift Wrapping Paper and I used Lineco Methyl Cellulose Adhesive to paste two of these tissue papers together. The size of the paper I used was a square sheet measuring 20 inches. The size of the finished model is approximately 5 inches by 8 inches.
Instructions to prepare double tissue paper:
Sara Adams of HappyFolding has created a detailed video on preparing double tissue paper. I found this easy to follow and clear with instructions.
How to Fold Satoshi Kamiya’s Divine Boar:
The diagrams to this model can be found in Works of Satoshi KAMIYA. Mariano Zavala has created a fantastic instructional video for this model, too. I have used it as a reference for some of the tricky folds for this model and found it to be very helpful. He has painstakingly explained the intricate folds and is very clear in showing the steps. It is a 2 part instructional video which you can find on his YouTube channel.
Its been a long time since I folded dragons and this time I have attempted Kade Chan’s Fiery Dragon. This is my first attempt and I am quite pleased with it. I plan to fold my second rendition with metallic tissue paper so that it gives a better look when finished.
This model depends a lot on the shaping you do at the end of the folding sequence along with the kind of paper you use to achieve this. Starting with a larger sized paper is always helpful since the folds become a lot easier especially when sinks and rabbit folds are involved.
Paper to Use:
It is best to use pliable, easy to shape paper such as Tissue-Foil paper or Washi which can be easily shaped and bent to give form to the finished model. For my first attempt, I used the commonly found Tracing paper which made folding easier but shaping would be a lot better had I used Washi or tissue-foil paper. The size of the paper was a 26″ square – tracing paper which is very fine, allows for complicated folds without having to worry about the paper tearing off at stress points in the model.
How to Fold the Fiery Dragon: Kade Chan has a wonderful blog, where he shares diagrams, tips as well as instructional videos (of his designs) made by origami enthusiasts all over the world, who have sought his permission for the instructional videos, of course. On his blog, he has shared the photo-diagrams of the finished model, clear diagrams of the folding sequence as well as multiple Instructional videos to help with folding this amazing model.
This model is a lot of fun to fold and is definitely worth the time. It took me 3 days with 3 hours spent per day to finish folding this model.
This is one of the designs which I had started folding a couple of weeks ago but got distracted with new paper and books and left it mid way. 🙂
I have begun to leave a lot of models folded only half-way through so I have now decided not to start off on any new designs or folding until I wrap up those.
This is a model from Román Díaz’s book – #3 Origami Essence – and is tagged as a level 4 category of designs. It is slightly complex with the numerous layered folds, rabbit ears and shaping involved. There are 61 steps in all, and this includes the shaping.
The model requires a lot of shaping at the end in order to give it a slightly 3D look. Hence, the paper you select for this design must be ‘flexible’ and allow for shaping without breaking / tearing apart at the edges. This is especially important because when you are at the end of the folding sequence, you will find that there are man layers that you need to fold through and tuck in, which if you have selected plain Kami or thicker variety, will make it very difficult.
I have not wet-folded my rendition of Román Díaz’s Ring-tail Lemur. Instead, I have selected special washi paper – Deluxe Washi BROWN – 10 sheets – which I purchased from origami-shop.com.
This paper is extremely ‘shapable’ and you do not need to wet-fold at all. However, errors in folding are quick to show as the gold foil on the reverse layer peels off with tension. So it’s a good idea to practice your folding before trying with this sort of paper.
Paper to use:
While Román Díaz, in his book, mentioned that this design of his can be folded with double-tissue paper which is Duo colored i.e. beige on one side and black on the other side, I have used Duo-colored deluxe washi paper which is gold foiled on one side and chocolate brown on the other side. This paper measures 35 cms square and the final model (post folding), measure approx 7 inches in height (taking into account the curling tail) and 3.5 inches across.
How to fold the Ringed Tailed Lemur:
Diagrams to this model are available in Román Díaz’s book – #3 Origami Essence. The book is incredible and will make a good Origami book collection. There are many models to fold from this book for all levels of complexity. JM Tutorials has also created a helpful tutorial on this model, you can find it on his YouTube channel.
It was last week that Tai, Hsi-Min posted pictures of a really cute little rabbit. The first thing which came to your mind when you saw it was imagining it in a green meadow twitching its nose.
It is designed with a pose similar to that of Robert Lang’s Rabbit but Tai, Hsi-Min’s design can be folded in 40 steps. No details as regards to the paper size and type of paper are indicated on his site, but it sure looks like he has chosen tissue fur to fold the Rabbit.
I, for one, attempted to fold this model using Tissue fur of a pearly white color, duo-colored. I chose tissue fur based paper due to the fact that some amount of shaping was required for the rabbit’s ears, face and back. The size of the paper I used is 15 cms or approx 6 inches, square. I started folding the rabbit with the tissue or shiny side up, so that’s what you see in the accompanying picture.
How to fold the Rabbit: Tai, Hsi-Min has created and shared clear diagrams on his Flickr account. They are pretty easy to follow and clearly indicate the various folds and that you need to start with the color side facing you (in case you are using a single side colored paper). One thing you have got to be careful with when following the diagrams is the alignment and orientation of the in progress model. The indicators to ‘turn over’ the model whilst folding is missing in some of the diagrams. But then again, its not all that big a deal.
Jo Nakashima has a good instructional video for this model on his YouTube channel, too.
I folded this Rabbit for my husband, whose favorite animal it is, and he wanted it in a shade of white. 🙂